I am a Taipei-born artist, raised between Hong Kong and the USA, working across sculpture, sound, poetry, and performance to explore how identity, matter, and memory resonate across time and place. Based in London, I hand-sculpt dynamic, tactile sculptures reminiscent of ancient archaeological objects.

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My practice currently centres on sculptural acoustic instruments, objects I create from elemental materials like clay, rice, and aluminium, which I activate in improvisational performances and invite others to play. They are both sonic tools and ritual vessels, allowing me to access something deeper than personal history: a shared, embodied archive of cultural and ecological memory.

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Trained in opera and piano, I have now turned toward intuitive sound-making as a way to unlearn inherited rhythms and to reimagine my connection to home, heritage, and my natural voice. My performances are evolving sonic rituals that weave together field recordings, synthesized textures, and wordless, chant-like voice. These works reflect a desire to locate meaning in a world shaped by cultural erasure, displacement, and ecological collapse.

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I see sound and words as carriers of memory, and sculpture as a living archive. Through their convergence, I explore how listening can become a form of remembrance, resistance, and renewal. My work asks: how do we recover what is fading? How do we attune to the frequencies of ancestral time, planetary change, and speculative futures?

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