I am a Hong Kong/USA raised Taipei born artist working across sculpture, sound, poetry and performance to explore how identity, matter, and memory resonate across time and place. Based in London, I hand-sculpt dynamic, tactile sculptures that appear to be reminiscent of ancient archeological objects.
 

Currently centers around sculptural acoustic instruments, objects I create from elemental materials like clay, rice, and aluminum, which I activate in improvisational performances. They are both sonic tools and ritual vessels, allowing me to access something deeper than personal history: a shared, embodied archive of cultural and ecological memory.

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Trained in western classical music, I’ve now turned toward intuitive sound-making as a way of unlearning inherited rhythms and reimagining connection to home and my Taiwanese heritage. My performances are evolving sonic rituals that weave together field recordings, indigenous chanting, synthesized textures, and voice. These works reflect a desire to locate meaning in a world shaped by cultural erasure, displacement, and ecological collapse.

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I see sound and language as carriers of memory, and sculpture as a living archive. Through their convergence, I explore how listening can become a form of remembrance, resistance, and renewal. My work asks: how do we recover what is fading? How do we attune to the frequencies of ancestral time, planetary change, and speculative futures?

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