I am a Hong Kong/USA raised Taiwanese artist working across sculpture, sound, and performance to explore how identity, matter, and memory resonate across time and place. Based in London, my practice currently centers around sculptural acoustic instruments, objects I create from elemental materials like clay, rice, and aluminum, which I activate in improvisational performances. They are both sonic tools and ritual vessels, allowing me to access something deeper than personal history: a shared, embodied archive of cultural and ecological memory.

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Trained in western classical music, I’ve now turned toward intuitive sound-making as a way of unlearning inherited rhythms and reimagining connection, not only to my Taiwanese heritage, but to the more-than-human world. My performances are evolving sonic rituals that weave together field recordings, indigenous chanting, synthesized textures, and voice. These works reflect a desire to locate meaning in a world shaped by cultural erasure, displacement, and ecological collapse.

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I see sound as a carrier of memory, and sculpture as a living archive. Through their convergence, I explore how listening can become a form of remembrance, resistance, and renewal. My work asks: how do we recover what is fading? How do we attune to the frequencies of ancestral time, planetary change, and speculative futures?

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Ultimately, my practice is about transformation, of self, of material, of meaning. I aim to create spaces where slowness, intuition, and resonance open pathways to reflection, healing, and connection across time and culture.